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Tag: press release
Echoes of Yesterday
My mixed media painting, Records of a Life Lived, (2021, private art collection) is featured in the book, Echoes of Yesterday, An Art Book by Photo Trouvée Magazine. The book, written by Juliana Naufel and Twiggy Boyer, is a collection of contemporary collage artwork, inspired by found photos.
Echoes of Yesterday, An Art Book by Photo Trouvée Magazine by Juliana Naufel and Twiggy Boyer, was released on December 17, 2021. You can purchase the book at this link.
Read more about Echoes of Yesterday:
Echoes of yesterday features a curated collection of contemporary artworks inspired by found or family photographs of the past. As you flip through the pages of this book, you will discover the unique ways in which 84 international artists transform lost memories into works of art. This book is for all of us who share a passion for nostalgia and a fascination for the ways in which memories inspire creativity.
Dana Caldera’s ‘A Taste of the Seasons’ at Sweetgreen MKT Heights
I am delighted to share that my artwork is now part of Sweetgreen’s collection of emerging artists and on view permanently at the Sweetgreen MKT Heights location in Houston, Texas. Sweetgreen is known for it’s seasonal and locally sourced ingredients and super tasty salads. It’s also known for exceptional design and artwork.
This Architectural Digest article from 2018 explains why Sweetgreen continues to focus on design and artwork with the same care and attention to detail as it does the food. Sweetgreen’s founders want the design to be as refreshing as the salads. And as more Sweetgreen locations open up, they unveil more incredible collaborations with artists and architects.
”Because we have a very clean aesthetic, it’s a great canvas to showcase art,” Jammet says. A big part of Sweetgreen’s ethos is local sourcing, and this supply-chain strategy is echoed in its work with (often local) artists.
–Salad With a Side of Style: Why Sweetgreen is Investing in Local Design, by Hadley Keller, Architectural DigestFor this project, I created a 4 canvas series titled, A Taste of the Seasons, and featuring found paper collage elements sourced from my collected recipes and cookbooks. The artwork is made with mixed media, including pastel, graphite, acrylic, and the collage elements.
In April 2021, the Sweetgreen MKT Heights location opened in Houston (Sweetgreen’s third Houston location at the time), featuring artwork by Dana Caldera. The two previous Houston Sweetgreen locations include Sweetgreen Rice Village, featuring artwork by Lanecia Rouse Tinsley, and Sweetgreen Downtown, featuring artwork by Max Manning.
Sweetgreen works in partnership with Tappan Collective to bring commissions by emerging artists to each Sweetgreen location.
Caldera Artwork Featured in ‘Collage Care’ Book
My mixed media collage, Space Between the Branches, (2019, Part of the Doug + Laurie Kanyer art collection) is featured in the book, Collage Care: Transforming Emotions and Life Experiences with Collage. The book, written by Laurie Kanyer, unpacks the practice of creating collage for emotional well-being, much like visual journaling. I start all of my Art I classes with a collage project for many of the reasons outlined in this book.
Collage Care: Transforming Emotions and Life Experiences with Collage by Laurie Kanyer, MA was released on July 1, 2021. You can purchase the book at this link.
Read more about Collage Care below:
Are you looking for a way to help to transform your emotions, feelings, and life experiences? Are you ready to invest in your self-care?
Collage Care: Transforming Emotions and Life Experiences with Collage will help!
Art using collage is the ideal tool to transform your life by breaking through your emotions and experiences. Collage Care will show you how collage, a remarkable art form, will become a best friend, a trusted advisor, and a great problem solver. Furthermore, Collage Care demonstrates how using collage offers ways to eliminate your trials and tribulations so you can embrace your joys.
Collage is for everyone, is accessible, and is nearly free. It is a swift way to get to the heart of a concern. The author of Collage Care, Laurie Kanyer, MA, knows how collage helps, as she witnessed remarkable miracles using collage for 35 years in the classroom and as a therapist.
Collage Care offers:- 125 ways, called Gems, describing how collage helps solve problems, manage feelings, and build self-esteem.
- Tools to regulate your emotions, know your True Self, reduce the pressure of your inner critic, and calm your mind.
- Ways to use collage to improve your relationships and strengthen your communication style.
- Over 150 full color, fine art collages offering inspiration and encouragement. This book is both a healing tool and a fine art book!
- Reflections—real life testimonies—from people all over the world whose lives were transformed using collage.
- Essays from experts in the fields of art, social work, and art history that further document the value of collage as a premiere tool for transformation.
Collage Care is also a perfect book for those in the helping professions, counselors, teachers and more. Collage Care is useful for historical art research and the historical implications of collage on emotional well-being.
Dana Caldera: Are These Portraits?
After years of working with found photographs, I found myself drawn to the memories one chooses to keep: correspondence, recipes, books, and notes, the personal records of a life lived. In this collection, these mementos are combined with abstract marks of mixed media, built up in layers over days and weeks. The details unfolded like a conversation as I worked, revealing themselves one layer at a time, much like getting to know someone. I hope that viewing the work feels like the same unraveling of a complex visual story, one that is at once familiar and strange.
Visual Vocabulary
As I worked, I found that a consistent visual vocabulary began to surface. The colors of the work are drawn from the delicate greys and ochres of the aged paper and the black and blue colors of ink, with some additional warming pinks, peaches, and oranges. The marks are controlled scribbles, made with conté or pastel, sometimes loose and other times confined to a shape or overlapping a piece of found paper. I’ve added some new textures to this work, embracing the unpredictability of acrylic ink pooled and left to dry flat, and the playful texture of the oil pastel scrawled on the raw paper, often creating negative space shapes.
Themes
Water, time, and tension emerged as important themes in this work. The use of water was essential to the handmade paper process (the first pieces I made when imagining this body of work) and the abstraction made with the pooled acrylic ink. Working with water in this way was unpredictable and brought the passage of time to the forefront of the work because I had to rest between layers as the water dried. There was an element of relinquishing control. Water represents strength, steadfastness, and cleansing. Over time, a little bit of water is a powerful force.
Time is ever-present. I’m creating new artwork using old material, the layering process of creating the work is time-intensive, and the art needs time to rest between each layer. This gives the artwork a chance to breathe and I get a chance to respond to how it forms. Time is a necessary component of working with the water and adhesives in layers.
As I worked, I was thinking about tension and balance. The construction of new artwork is born from the destruction of the old primary material. The build-up of texture and collage is balanced with the negative space of the simpler compositions. Other tensions present are delicate with playful, new with old, recognition with anonymity.
Questions
Are these timelines?
In a way they are, I’m creating the work from back to front, layering in collage material and mixed media as a new record of this time.Are these portraits?
If I’m not using the likeness of a figure or a traditional face, can they still capture the humanness of a portrait? I’m working with found papers that evoke a poignant nostalgia, and I combine them sometimes haphazardly, mixing stories, mixing years.Who’s story is this?
I’m both honoring the story of the original found object and reducing it to the basic formal elements of color, texture, shape, or line as with any other art media. This work is about all of us and none of us. A combination of abstract and playful mark making with distinct humanness and approachability because we see something of ourselves in the found collage material.Concrete & Adrift: On the Poverty Line
Concrete & Adrift: On the Poverty Line: Press Release. Text copied from Alexandria Museum of Art website.
An invitational exhibition featuring regional and national contemporary artists addressing poverty and homelessness. Pairing with AMoA’s exhibition showcasing beggars in Rembrandt’s history etchings, contemporary American artists share the first floor gallery during the Spring exhibit period in Concrete & Adrift: On the Poverty Line. This exhibition was juried from over 200 regional and national submissions, and features 39 contemporary artists from around the United States, working in a variety of media. Concrete & Adrift confronts a number of issues facing those in poverty and homelessness, two subjects that are often underrepresented and misunderstood in our society today.
“Poverty may not mean what you think. The federal government updates its official measure of poverty each year, a measure that’s easily accessible and widely used. Unfortunately, it’s largely meaningless. The reality is worse than the official numbers. Just how poor does someone have to be in order to live “in poverty?” The answer to that question ought to consider what it actually costs to live these days. No frills, no luxuries, just breaking even with frugal living and careful money management.” – David T. Britt, United Way of Central Louisiana
Throughout history, artists have used their craft to attempt to document and make sense of the world around them. The artists in this show do just that, though their subject is one which many overlook or choose to ignore. According to recent estimates, approximately 40 million people live in poverty and a greater number are barely above the poverty line. Everyone encounters at least one person living in poverty or homelessness daily, whether they notice it or not. Poverty and homelessness have been issues for hundreds of years all over the world and are issues that everyone encounters daily whether or not they experience it firsthand. Sordid & Sacred and Concrete & Adrift both show the topic from two far separate historical periods, and in different styles.
“I learned a lot from the works submitted to the call for artists. I had certain ideas about the subjects I expected to see reflected in the works. Once I began reviewing the work, I was compelled to broaden my thoughts on the subject, including but not limited to immigration, gentrification, and artists who struggle themselves. The works in this exhibition prove that beauty can be found in some of the most unexpected places….and faces.” – Catherine Pears, Executive Director, Alexandria Museum of Art
In this exhibition, AMoA worked with artists to bring the discussion to the forefront. Exploring ideas of feeling invisible, overlooked, misunderstood, and more, those living in poverty and homelessness experience difficulties far beyond the financial. This exhibition strives to bring some of those issues to light and confront some of the associated stereotypes and generalizations. Some of the artists work from their own experience and memory, having experienced these issues firsthand. The exhibition is separated into thematic sections: Portrait; shelter; isolation & invisibility; poverty, immigration, and food; and location although multiple works address more than one theme. Each object label includes an explanation or story connected with the creation and meaning of the work in question.AMoA has partnered with area organizations that help those in poverty throughout the exhibition as well in hopes to aid those struggling with poverty in homelessness beyond simply bringing the issues to the forefront. During the exhibition, AMoA will hold a number of events, including film screenings, an artist talk, and a panel discussion to further connect the art with the issues it confronts.
Visit AMoA from March 1 through June 22, 2019 for this exhibition and its associated events!
Exhibition CatalogExhibition Catalog