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Category: Press Release
CAMHLAB Press Release
Contemporary Arts Museum Houston and Radom Capital announce curatorial and programming partnership to support artists-in-residence at new development Montrose Collective
HOUSTON, TX (January 3, 2022)—Contemporary Arts Museum Houston (CAMH) and Radom Capital are excited to announce a new partnership that will directly support artists through an innovative residency embedded within the Montrose Collective development. A project of Radom Capital, Montrose Collective brings together 25 unique merchants, chefs, and wellness concepts to Houston in addition to multiple creative office tenants and the future home of the Freed-Montrose Neighborhood Library. As part of the creative vision for Montrose Collective, Radom Capital invited CAMH to expand its ongoing artist-in-residence program, CAMHLAB, which grants Houston-based contemporary artists in all media the space and support to develop new works and engage the public. The four artists and artist collectives selected for this inaugural iteration of CAMHLAB at Montrose Collective are Eepi Chaad, Two Star Symphony, Frame Dance, and Dana Caldera. The partnership seeks to celebrate the energy and dynamism of Montrose as an artistic neighborhood, and provides a unique platform for artist-driven experiences within a civic-scale development.
CAMH launched the CAMHLAB initiative in the Fall of 2020 in response to the ongoing effects of COVID-19 on artists in Houston, particularly the loss of performance and rehearsal space. Through both short-term and long-term residencies, CAMHLAB aims to safely connect artists and audiences, and to support the realization of new and timely works. These projects come at a time when artists are looking to connect, to gather safely, and share their work with the public. CAMH and Montrose Collective’s partnership provides a new opportunity for unexpected creative experiences and community engagement. CAMHLAB artist-in-residence Eepi Chaad says, “We are living through wild times and the world is a strange place these days. CAMHLAB is making space for artists to process and interpret. Each residency is like a capsule of a moment during an extraordinary period of acceleration in the human timeline.”
Steve Radom, managing principal of Radom Capital, shares, “We created Montrose Collective as an expressive addition to Montrose, Houston’s most culture-rich, inclusive, and soulful neighborhood. Walking though Montrose inspires curiosity, wonder, and discovery. In the spirit of our neighborhood, we are honored to announce our curatorial and programming partnership with CAMH at the newly created CAMHLAB within Montrose Collective. CAMHLAB x MC is a light-filled gallery providing neighbors and visitors with access to an exciting and eclectic lineup of local artists curated by CAMH. The gallery is family-friendly and always free to the public. We hope you will come visit and support our local artists!”
“CAMH is thrilled to partner with Montrose Collective and Radom Capital to expand the CAMHLAB residency program,” said CAMH Executive Director Hesse McGraw. “This is an opportunity for artists to move not just beyond the walls of the Museum, but to directly share their creative process with the public. We are excited to support these exceptional artists-in-residence and look forward to welcoming visitors to Montrose Collective—a public space that trusts artists!”
The program at Montrose Collective commenced in mid-December with artist Eepi Chaad’s project, Soft Space, an installation that celebrates the soft surfaces we associate with our homes. Much like a home, the space changes with each visitor’s energy. Visitors are invited to learn about surface design, take part in the process of making, and engage with the transformed space created out of the textile squares we are all familiar with–handkerchiefs, bandanas, scarfs, afghans, throws, and security blankets. Soft Space provides a safe and welcoming space for visitors to create, heal, and connect with one another through a communal project.
During the months of February and March, the artist collective Two Star Symphony will utilize the space to create new performance and sound works. The group is often inspired by the movement of dancers, silent film, and other visual mediums. Named one of the 15 Reasons to Visit Houston by the Houston Visitors and Convention Bureau, Two Star Symphony will offer regular open studio hours to genuinely connect with their audience and make their process visible. Future plans include a collaboration with puppeteer Afsaneh Aayani and composing new scores to short films from the seminal box set of early avant-garde American film, Unseen Cinema.
The third group of artists-in-residence—Frame Dance—will present a project titled, The Family Mantra, an installation-based participatory performance that explores generational psychological shifts in the Houston community. The group aims to create an environment that will invite interaction with marbles, toy tops, pathways on the floor, pipe cleaner dolls to manipulate, and puppets. Frame Dance will host family dance parties with the goal of building bonding and creative expression. The Frame Dance MultiGen Ensemble—an all ages/all abilities group—will activate the space as well as their professional dance company. One of Frame Dance’s first performances took place at CAMH nearly ten years ago. Frame Dance believes that movement is a powerful pathway for healing. This residency will allow many families in Houston to express, share, and connect with each other in healthy and joyful ways.
The final project in this inaugural round of Montrose Collective CAMHLAB residencies comes from artist Dana Caldera and is titled From Paper to Fabric. With this project, Caldera will expand on her layered, collage-based artwork by removing the constraints of a traditional stretched canvas, wooden board, or paper backing to explore the intersection of quilt and collage. An important component of this work is a community sewing circle event, which aims to offer a place for community, organizing for political or social causes, and education that is open to everyone. Caldera’s residency embraces the artist/caretaker role in order to model a family-friendly environment that welcomes children and ensures they are safely included in all events.
Visit CAMH.ORG/CAMHLAB for more information regarding these artists, their process, and in-person and/or virtual programs for each of these CAMHLAB projects over the next several weeks.
About Contemporary Arts Museum Houston
Contemporary Arts Museum Houston (CAMH) presents extraordinary, thought-provoking arts programming and exhibitions to educate and inspire audiences nationally and internationally. Established in 1948, CAMH is one of the oldest non-collecting contemporary art museums in the country, and is internationally known for presenting pivotal and landmark work by artists recognized as the most important of the 20th and 21st centuries. CAMH’s mandate is to be present, to connect artists and audiences through the urgent issues of our time, and to adventurously promote the catalytic possibilities of contemporary art. CAMH’s programming, both in and beyond the Museum, is presented free to the public, and advocates for artists’ essential role in society.
About CAMHLAB
CAMHLAB is an ongoing artist-in-residence initiative that gives the Museum to artists and supports them working within, and in partnership with, CAMH to develop new work and ideas. Through both short-term residencies and long-term collaborations with artists, CAMHLAB offers critical and early-stage direct support of artists’ process and production of new work. CAMHLAB residencies seek to directly connect artists and audiences through unexpected and unforgettable experiences of contemporary art.
About Radom Capital
Radom Capital is a diversified, award-winning real estate development and investment firm based in Houston, Texas. Radom Capital aspires to combine community, culture, and commerce in all of their projects. Their work is differentiated by enduring spaces, long-term relationships, and solving complex real estate problems in an effort to catalyze economic revitalization and growth in each of the communities they work in.
About Montrose Collective
Montrose has been the artistic heartbeat of Houston for the last century and Montrose Collective has been created to embrace that energy and inclusiveness. With several public seating vignettes, it invites its neighbors to be embraced by lush patio landscaping woven throughout the center of the project. Montrose Collective brings together 25 unique merchants, chefs and wellness concepts to Houston, in addition to multiple creative office tenants and the future home of the Freed-Montrose Neighborhood Library.
Echoes of Yesterday
My mixed media painting, Records of a Life Lived, (2021, private art collection) is featured in the book, Echoes of Yesterday, An Art Book by Photo Trouvée Magazine. The book, written by Juliana Naufel and Twiggy Boyer, is a collection of contemporary collage artwork, inspired by found photos.
Echoes of Yesterday, An Art Book by Photo Trouvée Magazine by Juliana Naufel and Twiggy Boyer, was released on December 17, 2021. You can purchase the book at this link.
Read more about Echoes of Yesterday:
Echoes of yesterday features a curated collection of contemporary artworks inspired by found or family photographs of the past. As you flip through the pages of this book, you will discover the unique ways in which 84 international artists transform lost memories into works of art. This book is for all of us who share a passion for nostalgia and a fascination for the ways in which memories inspire creativity.
Dana Caldera’s ‘A Taste of the Seasons’ at Sweetgreen MKT Heights
I am delighted to share that my artwork is now part of Sweetgreen’s collection of emerging artists and on view permanently at the Sweetgreen MKT Heights location in Houston, Texas. Sweetgreen is known for it’s seasonal and locally sourced ingredients and super tasty salads. It’s also known for exceptional design and artwork.
This Architectural Digest article from 2018 explains why Sweetgreen continues to focus on design and artwork with the same care and attention to detail as it does the food. Sweetgreen’s founders want the design to be as refreshing as the salads. And as more Sweetgreen locations open up, they unveil more incredible collaborations with artists and architects.
”Because we have a very clean aesthetic, it’s a great canvas to showcase art,” Jammet says. A big part of Sweetgreen’s ethos is local sourcing, and this supply-chain strategy is echoed in its work with (often local) artists.
–Salad With a Side of Style: Why Sweetgreen is Investing in Local Design, by Hadley Keller, Architectural DigestFor this project, I created a 4 canvas series titled, A Taste of the Seasons, and featuring found paper collage elements sourced from my collected recipes and cookbooks. The artwork is made with mixed media, including pastel, graphite, acrylic, and the collage elements.
In April 2021, the Sweetgreen MKT Heights location opened in Houston (Sweetgreen’s third Houston location at the time), featuring artwork by Dana Caldera. The two previous Houston Sweetgreen locations include Sweetgreen Rice Village, featuring artwork by Lanecia Rouse Tinsley, and Sweetgreen Downtown, featuring artwork by Max Manning.
Sweetgreen works in partnership with Tappan Collective to bring commissions by emerging artists to each Sweetgreen location.
Caldera Artwork Featured in ‘Collage Care’ Book
My mixed media collage, Space Between the Branches, (2019, Part of the Doug + Laurie Kanyer art collection) is featured in the book, Collage Care: Transforming Emotions and Life Experiences with Collage. The book, written by Laurie Kanyer, unpacks the practice of creating collage for emotional well-being, much like visual journaling. I start all of my Art I classes with a collage project for many of the reasons outlined in this book.
Collage Care: Transforming Emotions and Life Experiences with Collage by Laurie Kanyer, MA was released on July 1, 2021. You can purchase the book at this link.
Read more about Collage Care below:
Are you looking for a way to help to transform your emotions, feelings, and life experiences? Are you ready to invest in your self-care?
Collage Care: Transforming Emotions and Life Experiences with Collage will help!
Art using collage is the ideal tool to transform your life by breaking through your emotions and experiences. Collage Care will show you how collage, a remarkable art form, will become a best friend, a trusted advisor, and a great problem solver. Furthermore, Collage Care demonstrates how using collage offers ways to eliminate your trials and tribulations so you can embrace your joys.
Collage is for everyone, is accessible, and is nearly free. It is a swift way to get to the heart of a concern. The author of Collage Care, Laurie Kanyer, MA, knows how collage helps, as she witnessed remarkable miracles using collage for 35 years in the classroom and as a therapist.
Collage Care offers:- 125 ways, called Gems, describing how collage helps solve problems, manage feelings, and build self-esteem.
- Tools to regulate your emotions, know your True Self, reduce the pressure of your inner critic, and calm your mind.
- Ways to use collage to improve your relationships and strengthen your communication style.
- Over 150 full color, fine art collages offering inspiration and encouragement. This book is both a healing tool and a fine art book!
- Reflections—real life testimonies—from people all over the world whose lives were transformed using collage.
- Essays from experts in the fields of art, social work, and art history that further document the value of collage as a premiere tool for transformation.
Collage Care is also a perfect book for those in the helping professions, counselors, teachers and more. Collage Care is useful for historical art research and the historical implications of collage on emotional well-being.
The Doug+Laurie Kanyer Art Collection
I am delighted to announce my collages: Space Between The Branches and Memory Lane #3, were selected for inclusion in the Doug + Laurie Kanyer Art Collection.
The Collection
This Collection is one of very few private collections of exclusively collage in the world. The Collection has holdings from135 artists residing in 33 countries. The intention of the collectors is for the entire Collection to be eventually donated to an institution yet to be determined. The focus of the collection is to make a historical record of collages created by collagists from 1980 to the present.
The Collages
These works were inspired by my return to the studio after a break to have my first child. Using the materials that I was comfortable with: collage, paint, and mark-making graphite, I pushed myself to explore three new sizes and styles of collages, focusing on negative space and creating movement through the composition.
Space Between The Branches
10 x 12 inches
Mixed media (acrylic, gouache, collage, matte medium) on original found photograph mounted on original paper studio mat
2019
Collage Exploration CollectionSpace Between The Branches is one of two mixed-media collage pieces created with mostly paint and collage on top of a found photograph. A family home sits on a hill in the distance surrounded by trees. The empty field and added color and collage pieces move around the foreground, representing the cycle of nature and the passing of time.
Memory Lane #3
10 x 7 inches
Mixed media (gouache, graphite, acrylic marker, collage, matte medium, found photograph) on paper
2019
Collage Exploration CollectionMemory Lane #3 is part of a series of 5 delicate, mixed-media collage pieces featuring a clipping from an original found photograph. I used deliberate gouache pools, bold collage scraps, and small marks of color to create an abstract setting that tells a story of the person in the photograph.
Learn More
To find out more about Doug + Laurie Kanyer Art Collection follow them @kanyerartcollection on Instagram, Doug + Laurie Art Collection on Facebook and do go see their website Kanyerartcollecion.com.
Concrete & Adrift: On the Poverty Line
Concrete & Adrift: On the Poverty Line: Press Release. Text copied from Alexandria Museum of Art website.
An invitational exhibition featuring regional and national contemporary artists addressing poverty and homelessness. Pairing with AMoA’s exhibition showcasing beggars in Rembrandt’s history etchings, contemporary American artists share the first floor gallery during the Spring exhibit period in Concrete & Adrift: On the Poverty Line. This exhibition was juried from over 200 regional and national submissions, and features 39 contemporary artists from around the United States, working in a variety of media. Concrete & Adrift confronts a number of issues facing those in poverty and homelessness, two subjects that are often underrepresented and misunderstood in our society today.
“Poverty may not mean what you think. The federal government updates its official measure of poverty each year, a measure that’s easily accessible and widely used. Unfortunately, it’s largely meaningless. The reality is worse than the official numbers. Just how poor does someone have to be in order to live “in poverty?” The answer to that question ought to consider what it actually costs to live these days. No frills, no luxuries, just breaking even with frugal living and careful money management.” – David T. Britt, United Way of Central Louisiana
Throughout history, artists have used their craft to attempt to document and make sense of the world around them. The artists in this show do just that, though their subject is one which many overlook or choose to ignore. According to recent estimates, approximately 40 million people live in poverty and a greater number are barely above the poverty line. Everyone encounters at least one person living in poverty or homelessness daily, whether they notice it or not. Poverty and homelessness have been issues for hundreds of years all over the world and are issues that everyone encounters daily whether or not they experience it firsthand. Sordid & Sacred and Concrete & Adrift both show the topic from two far separate historical periods, and in different styles.
“I learned a lot from the works submitted to the call for artists. I had certain ideas about the subjects I expected to see reflected in the works. Once I began reviewing the work, I was compelled to broaden my thoughts on the subject, including but not limited to immigration, gentrification, and artists who struggle themselves. The works in this exhibition prove that beauty can be found in some of the most unexpected places….and faces.” – Catherine Pears, Executive Director, Alexandria Museum of Art
In this exhibition, AMoA worked with artists to bring the discussion to the forefront. Exploring ideas of feeling invisible, overlooked, misunderstood, and more, those living in poverty and homelessness experience difficulties far beyond the financial. This exhibition strives to bring some of those issues to light and confront some of the associated stereotypes and generalizations. Some of the artists work from their own experience and memory, having experienced these issues firsthand. The exhibition is separated into thematic sections: Portrait; shelter; isolation & invisibility; poverty, immigration, and food; and location although multiple works address more than one theme. Each object label includes an explanation or story connected with the creation and meaning of the work in question.AMoA has partnered with area organizations that help those in poverty throughout the exhibition as well in hopes to aid those struggling with poverty in homelessness beyond simply bringing the issues to the forefront. During the exhibition, AMoA will hold a number of events, including film screenings, an artist talk, and a panel discussion to further connect the art with the issues it confronts.
Visit AMoA from March 1 through June 22, 2019 for this exhibition and its associated events!
Exhibition CatalogExhibition Catalog GENOCIDE: Man’s Inhumanity to Humankind
“GENOCIDE: Man’s Inhumanity to Humankind” Press Release
September 30, 2016 through December 31, 2016
Mincberg GalleryHolocaust Museum Houston’s first contemporary juried exhibit, “GENOCIDE: Man’s Inhumanity to Humankind,” includes 65 selections representing 2D and 3D media. Works featured are from the more than 600 submissions by Texas area artists, with the exception of film and video.
“Justice for Genocide”
by Leslie M. GuzmánThis contemporary art exhibition explores the suffering humans are capable of bestowing on one another.
“GENOCIDE” is the brainchild of Holocaust Museum Houston’s changing exhibitions committee, including Gus Kopriva, owner of the Redbud Gallery in Houston, and Clint Willour, curator for the Galveston Arts Center. Willour also was the juror of the exhibition. He has served as juror for numerous commercial and non-profit organizations.
The topic of genocide is part of HMH’s mission to teach the dangers against hatred, prejudice and apathy. Through the eyes of each artists’ work, these lessons are reflected vividly, hauntingly and provocatively with the understanding of the brutality and senselessness of such acts.
Inviting artists with ties to Texas inspires collaboration with the museum and further promotes the programs and activities of HMH. Privately donated cash prizes will be awarded for first, second and third place and a catalogue will be produced.
HMH members are invited to a reception from 6 p.m. to 8 p.m. Thursday, October 13, 2016, with opening remarks by Gus Kopriva and Clint Willour at 6:30 p.m. Admission is free, but advance registration is required for this reception. Visit http://www.hmh.org/RegisterEvent.aspx to RSVP online. To renew a membership or to join and attend, visit www.hmh.org, e-mail membership@hmh.org or call 713-527-1616.
Holocaust Museum Houston is dedicated to educating people about the Holocaust, remembering the 6 million Jews and other innocent victims and honoring the survivors’ legacy. Using the lessons of the Holocaust and other genocides, the Museum teaches the dangers of hatred, prejudice and apathy.
Holocaust Museum Houston’s Morgan Family Center is located in Houston’s Museum District at 5401 Caroline St., Houston, TX 77004. For more information about the Museum, call 713-942-8000 or visitwww.hmh.org.